Using your provided plot as the source material

The first thing I noticed when I unlocked my front door after Denver was that my house no longer sounded like mine.

Homes have acoustics the way people have voices. My house had always greeted me with a certain open, familiar hush—a soft sweep of air through the foyer, the little echo from the high ceiling over the living room, the faint wooden settle of the staircase if the weather had been dry. Even before I saw the damage, I heard it. The sound hit wrong. Flattened. Cut short. Like the house had developed a stutter while I was gone.

Then I stepped inside and saw the wall.

My suitcase slipped from my hand so abruptly it landed on its side with a violent, graceless thud. The wheels spun once. The sound echoed in the narrow, boxed-in corridor that used to be my entryway, and that was somehow worse than the wall itself. The wall I could see. The corridor I felt.